Young Thug’s “Revenge,” featuring his YSL artists Lil Gotit and 1300SAINT, is a cold, menacing, and unapologetic trap banger that serves as a dark and confrontational final statement to his album UY SCUTI. The song is a promise of retribution, a celebration of crew loyalty, and a chilling reminder that in his world, the cycle of violence and the need for vengeance are never truly over.
The Core Meaning: A Final, Unsettling Promise
As the eighteenth and likely final track on the epic journey of UY SCUTI, “Revenge” is a deliberately unsettling and provocative conclusion. After an album that saw its protagonist navigate the depths of despair and seemingly arrive at a place of peace and gratitude, this final track shatters that resolution. The core meaning of the song is a return to the primal, unforgiving code of the streets. It is a declaration that forgiveness has its limits, and for certain transgressions, the only answer is “revenge.”
The track is not just a personal threat from Young Thug; it is a collective promise from his entire crew. By featuring his own YSL signees, Lil Gotit and 1300SAINT, Thug frames “revenge” as a generational and organizational imperative. It is a powerful display of solidarity, a message to the world—and to the legal system attempting to dismantle YSL—that the crew remains united, loyal, and ready for war.
“Revenge” is a song that revels in a dark, hedonistic energy, blending classic themes of sex, drugs, and luxury with a constant, simmering undercurrent of violent threat. It is a final, unflinching look into the abyss, a reminder that the world from which Young Thug emerged is not one of happy endings, but one of perpetual conflict, where the ultimate goal is not peace, but survival and dominance.
The Post-Credits Scene: A Deliberate Rejection of a Happy Ending
The placement of “Revenge” at the end of UY SCUTI is a masterful and subversive piece of narrative structuring. The album’s preceding tracks, particularly “Whaddup Jesus” and “Spider or Jeffery,” seemed to be building towards a peaceful and triumphant conclusion. The protagonist had survived his crisis, found peace with his faith, and celebrated his victory with his closest allies. In a conventional story, this would be where the credits roll.
“Revenge,” however, functions as a dark and ominous “post-credits scene.” In filmmaking, a post-credits scene is often used to upend the audience’s sense of closure, to hint at a future conflict, or to reveal that the villain is not truly gone. This is precisely the effect that “Revenge” has on the album. It deliberately disrupts the happy ending, yanking the listener out of the celebratory mood and plunging them back into the dark, violent reality of the streets.
This structural choice is a powerful artistic statement. It suggests that for someone in Young Thug’s position, there is no true “happily ever after.” The peace and gratitude he found in “Whaddup Jesus” are real, but they are fragile states that exist within a larger, ongoing war. The song is a bleak but realistic final word, a message that the journey of survival is cyclical, and the need for “revenge” is a ghost that will always haunt him. It leaves the listener with a chilling and unforgettable sense of unease.
The YSL Dynasty: A Defiant Showcase of the Next Generation
A crucial component of “Revenge” is the prominent featuring of YSL Records artists Lil Gotit and 1300SAINT. This is far more than a simple collaboration; it is a strategic and defiant act of legacy-building. In the face of a RICO indictment that has sought to legally define YSL as a criminal street gang, Young Thug uses this final track to defiantly present YSL as what he has always maintained it is: a legitimate record label and a creative family.
By passing the mic to his protégés, Thug is engaging in an act of profound mentorship and empowerment. He is using his massive platform to showcase the talent of his next generation, ensuring that the YSL sound and ethos will continue, regardless of his own personal fate. Their presence on a track titled “Revenge” is also deeply symbolic. It frames the act of retribution not as a personal mission for Thug alone, but as a collective and ongoing promise from the entire YSL dynasty.
Lil Gotit and 1300SAINT both deliver verses that are steeped in the signature YSL style—a blend of melodic flows, eccentric ad-libs, and lyrics that oscillate between high-fashion flexing and street-level threats. Their performances are a testament to Thug’s influence as a mentor and a tastemaker. The track is a powerful display of a united front, a message to the world that even if you attack the head of the snake, the body remains strong, loyal, and ready to strike back.
Lyrical Breakdown: A Dissection of a Collective Threat
The lyrics of “Revenge” are a raw and unfiltered expression of the street code, a dialogue between a king and his loyal soldiers, all united in their worldview.
Young Thug’s Chorus and Verse: The King’s Final, Cold Decree
Young Thug sets the menacing tone from the very beginning. The hypnotic, repeated chant of “Revenge” in the chorus is an obsessive and inescapable promise. His central threat, “I’m wipin’ his nose, wipe it, and wipe it again,” is a chilling piece of street slang. To “wipe someone’s nose” is a euphemism for robbing them or, in its most extreme interpretation, killing them. The casual, repetitive nature of the line suggests that this is a routine and unemotional act for him.
His verse is a classic Young Thug performance, a chaotic whirlwind of hedonism and menace. He juxtaposes his high-flying lifestyle—probation that is “sweet, it’s nice,” being “drunk, I’m high as a kite”—with the dark realities of his world. He boasts about his sexual prowess and his immense wealth (“I done got too rich for the grass”), but these boasts are always punctuated by reminders of the violence that underpins his empire.
The most telling lines are “I’m from a spot where you know they gon’ hurt you” and “Play with the shit, then you know you get murked.” These are statements of origin and consequence. He is reminding the listener of the harsh environment that forged him, an environment where violence is not an aberration, but a fundamental law of nature. His final line, a sarcastic “I said I’m livin’ in church,” is a moment of dark, blasphemous humor, a final jab at the idea that he could ever truly find peace.
The Protégés’ Verses: The Voice of the New Guard
Lil Gotit’s verse is a perfect reflection of the paranoid and aggressive mindset required to survive in their world. He speaks of the necessity of carrying a weapon (“Gotta keep a blick, that’s mandatory”) and the constant need to be on guard (“Shootin’ off rip, I’m paranoid”). He delivers his lines with a confident swagger, dismissing his opposition as broke (“His bag is empty”) and fake (“You ain’t no opp, boy, you a fan”). His verse is the sound of a loyal soldier, ready and willing to enforce the will of his leader.
1300SAINT continues these themes, echoing the commitment to violence (“This weekend, we ridin’ on strikers”) and the unwavering loyalty to his crew (“Know my brother gon’ slide for me”). His verse is filled with the kind of confident, almost surreal boasts that are a hallmark of Thug’s influence, such as “I done got wings on my back ’cause I’m fly like propeller.” His shoutout, “I’m with Slime in Philly,” serves as a direct and public affirmation of his allegiance. Together, the two features create a powerful and unified chorus of voices, a testament to the strength and enduring influence of the YSL collective.